Prince is dead

Bradly Austin
  The artist formerly know as Prince is dead and thankfully joins a growing list of eighties rock and pop stars dropping like fled on the back of a bull a bushy tail and big balls. The man who defines neurotic and eccentric died the following day in a studio as these old acts continue to go to the only revenue source they have ever known in life and this sketchy fuck was basically glamorized by corporate print and music media just looking to make a buck from other peoples popularity. Prince wore flashy stuff to get noticed more and unfortunately in a generation of the seventies and eighties these gaudy tactics worked for so many untalented people such as himself. Prince was no king of pop and received all these awards and accolades being pushed by an establishment desperate to restore race relations and improve the cultural conditions and feelings for mulattos like Prince in America. many in the music business were desperately searching for a new Jimmy Hendrix for decades someone who would cross over and they can make some jingle from this flashy skinny black kid. Acts like Michael Jackson and prince were used as a tool to raise the self-esteem of Blacks and Puerto Ricans plain and simple. These same people decades later would move on with another skinny black to market in the political stage but that is a story for another time. Like David Bowie before him, liberals saw somebody whose popularity could be used against conservative institutions and the impression these celebrities could be used in a cultural war in the west were used very well by the Anglo-America establishment in attempting what was the beginning of their global gold rush economically in trade and peace around the world. Popular music acts are a very important pawn the elites and those in power use to sway the masses into thinking a certain way and in this the Prince of pop served many prices in todays corporate feudal system. One promising trend though is that in the world of music there are not has many of these lab-created pop cultural phenoms and this has to do with a emerging generation of people not easily so swayed to following and worshipping the music acts these huge companies attempt to push and you will never see as many of these trend-setting stars in music as there was in the eighties as a emerging conservative multi-culturalist generation takes fold.